PC 440 The Isle of Wight

The visit of Celina’s mother and partner Toni has become an annual occurrence, and we have always tried to organise a few days away during their time in the UK. We have been to my home city of Bath (see PC 337 An American in Bath – June 2023), visited Arundel Castle, the home of the Duke of Norfolk, and spent two nights in Lymington in the New Forrest (see PCs 388 & 389 May 2024). This year, prompted by Toni mentioning his mother had much enjoyed Osborne House on the Isle of Wight, we organised a two-night stay there. Being an island itself, Great Britain has a long coastline stretching some 1800 kms with numerous offshore islands. Apart from the largest groups such as the Inner and Outer Hebrides, the Orkneys and Shetland Isles, the larger ones include Mull (875 sq kms), the Isle of Man in the Irish Sea (572 sq kms), Arran in the Firth of Clyde, and then the Isle of Wight on the south coast. This triangular shaped island covers some 381 sq kms – I read that for comparative purposes it’s about half the size of Singapore ……. if that’s useful? (Better than comparing it with Wales!)

Ferry in yellow, journeys in blue, places in red

On its western tip are the famous Needles, three huge, white chalk rocks marked by a C19th lighthouse.

And nestling into that western coast is Alum Bay, famous for its strata of coloured sands

The western entrance to The Solent narrows by Hurst Castle on the mainland.

Hurst Castle is at the right hand end of the line of pebbles in the distance

Actually, you can see the Isle of Wight when visibility is good from the high ground on the north side of Brighton & Hove, some 55 miles away.

Most of my experiences of the Isle of Wight come from my love of sailing. I have taken part in Mermaid dinghy regattas off Seaview; I have swum in Cowes harbour way past midnight and possible having had too much to drink (!); moored up in Yarmouth harbour numerous times, once having to go over the side of the yacht to unwrap a rope from the propeller; anchored outside as the harbour was full, and had to cope with a dragging anchor in strong winds and spring tides; on returning from the Channel Islands one year, we hit the sand off Ryde, between Cowes and Bembridge, and had to wait for the tide to change; and once, as the tide was favourable, we nosed our way into Newton Creek, a wild nature reserve between Cowes and Yarmouth. For a few years I took part in Cowes Week, the August international yachting regatta that attracts thousands of entrants. In 1969 I took part in a Sail Training Association race from Cowes to Skagen in the northern tip of Denmark, and then on to Malmö in Sweden. I feel at home in this part of the United Kingdom.

The island is served by two ferry companies, Red Funnel from Southampton and Wightlink from Lymington, Portsmouth Harbour and Portsmouth. During my career as an executive coach I worked for Sea Containers, who at the time owned Wightlink and Hoverspeed, the latter running ferries to Calais and Boulogne-Sur-Mer.

I guess the most famous town on the Isle of Wight is Cowes, although its capital is a town called Newport, right in the centre of the island and where the Medina River starts being deep enough to be navigable. Most of the east-west island traffic flows through its congested streets, as north at Cowes the only way to cross the river is on a ‘floating bridge’ which can only take 20 cars on each trip. On the south coast are the Victorian holiday resorts of Ventnor and Shanklin.

The Albion Hotel overlooking Freshwater Bay

You will see from the map that we stayed a couple of nights in the renovated Albion Hotel in Freshwater on the southwest corner. A C18th hostel overlooking Freshwater Bay was destroyed in a big storm in 1824 and the Royal Albion Hotel dates from 1860. The building of Osborne House drew tourists and courtiers alike to the island and the hotel prospered. Today its 40 rooms offer a tranquil setting to unwind after cycling or walking around the island or, as we did, visiting Osborne House. And if you’re lucky, you wake up at just the right time, in this case 26 minutes past midnight, to take a photograph of the full moon over a calm sea.

Nothing is very far on the Isle of Wight and on our second evening we drove north to Yarmouth – yes, the mouth of the river Yar! Our friends from Lymington, whom we had seen last year, came across on the Wightlink ferry for supper at The George Hotel. The tourist and yachting season hadn’t really got underway and it wasn’t at all crowded; in the summer months it becomes very busy and to guarantee a mooring in the harbour you need to be there by 1600, which is too early!   


On the last morning we took a quick trip out to the coast above The Needles; in stunning warm sunshine we looked down at the iconic lighthouse, which I have sailed passed many, many times.

From there we drove east along the south coast before heading north to the ferry terminal at Fishbourne. One’s unlikely to go to the IoW with a car for a day trip, as the ferries are expensive; if you live on the island you get a discount but it does tend to isolate the island community – maybe they like it that way? We caught the 1300 ferry back to Portsmouth and were home in Hove by 1510.


We were lucky with our weather; wall-to-wall sunshine with 20°C and little wind. Next week’s scribbles will cover our visit to Osborne House.

Richard 23rd May 2025

Hove

www.postcardscribbles.co.uk

PS Flights to Portugal from Gatwick pass over the IoW. Often the view is amazing


Looking south over the Isle of Wight. Cowes is in the centre of the photograph.

PC 433 Odds and Sods

It’s appropriate to start off this postcard with something about language, as I sit at a table in an AirBnB in Barra da Tijuca, to the west of Rio de Janeiro’s famous beaches of Ipanema and Copacabana. My ability to speak Portuguese, and in particular Brazilian Portuguese, has not got any better over the years since Celina and I got together, despite periodic attempts to get to grips with it. I started with no knowledge and sometimes I sense I have come back to that point!

Consequently, I need to be careful when I write about Celina’s way of pronouncing certain words. The name of the Russian president comes up occasionally, often accompanied by some criticism or other of his cruel actions and disregard for what we in the west consider sacrosanct, like the borders of sovereign states. I commented that I loved the way she says his name, sounds like ‘putain’, a hard nasal sound. Then she explained that ‘putain’ is French for whore/bitch/shit/hooker/tart and I think this is perfect.

These days, if you are bored by your record or CD collection, you can just dial up something like Spotify and ask it to play exactly what you want to listen to. Or you can tune into one of the hundreds of radio stations, via Alexa, and podcasts, to listen to chat or music. Of course the sound of silence can, in itself, be wonderful. Over the years I have become accustomed to have Classic FM on in the background. Often I recognise the work being played, reinforcing my own prejudices about composers; ‘I love Sibelius, not so keen on Bach’ for example. The station’s output seems to cover anything from traditional ‘classical music’ to music used in film or television scores. Snobs in the world of classical music might deride Classic FM for its populist approach to what it broadcasts, but I guess that’s what the programme makers deem their audience want and tune in for. However, as a regular listener, I sometimes detect that every presenter has been encouraged to play one particular piece. A recent example is the title track from the 2004 film ‘Ladies in Lavender’, a 2004 film starring Judi Dench and Maggie Smith. It was composed by Nigel Hess, but I do not want to hear it today, tomorrow and the next! Another piece now played so frequently it’s become hackneyed is ‘Ashokan Farewell’. I grant you it’s lovely but once a month will do!

Writing about snobbery in the world of classical music brings me neatly on to the Scottish painter Jack Vettriano who died at the beginning of March aged 73. His name might not be on the tip of everyone’s tongue, but his painting entitled ‘The Singing Butler’ will, I hope, be instantly recognisable.

He was one of Britain’s most successful painters, earning a reported £500,000 in annual royalties from reproductions of his work on postcards, posters, calendars and jigsaw puzzles. Self-taught, Jack’s breakthrough came in 1993 when he was taken up by London’s Portland Gallery; “There’s a narrative (in his paintings) which invites you to continue the story. They’re a moment caught in time and you continue the story in your head.” Sir Terence Conran was slightly harsher: “I would never suggest Jack is a great artist in the manner of Francis Bacon and I don’t think he would claim to be. But he is an extremely competent artist in the Edward Hopper mould.” Most critics derided his art as ‘kitsch and derivative.’ (Note 1)

I hadn’t intended this part of the postcard to develop into a dissertation on what makes one artist greater than another, for in my mind only you can make these judgements. Personally, I love Edward Hopper’s paintings for their simplicity ….

Edward Hopper’s The Lighthouse

and can’t think of any reason to go to an exhibition of Francis Bacon’s work …..

Bacon – a self portrait

But then I am me and not you, or Terence Conran!

In my postcard about Gen Z (PC 425 Generation Z February 2025), I wrote how good it was to find people who recognised you could have fun without alcohol and that their attitude towards drinking and drinking to excess was refreshing. One of our major supermarket chains, Sainsbury’s, is now offering a non-alcoholic beer with one of its lunch ‘meal deals’. For some reason best known to themselves Debretts, the national guide to etiquette, were provoked to comment. Liz Wyse, one of their editors, wrote: “I don’t think it really appropriate. I know it’s alcohol free but people drinking alcohol-free generally would rather drink a normal beer.” (My italics) Now that is a statement based on a sample of, er, one? Herself?

Diane Cherryman from Melton Mowbray was so moved to write to The Times. “Sir, (Note 2) Debrett’s should set aside its prejudices and read the small print on labels before condemning a lunchtime drink of alcohol-free beer.” And went on to say it’s a far healthier choice than fizzy drinks.

And finally, something to cogitate on. I took out a life insurance policy with Standard Life a day before my 21st birthday; seemed a grown-up and sensible thing to do. It would pay out some £2314 if I accidentally died; for comparative purposes I was being paid circa £1750 per year (Note 3) and the annual premium was £24. As the years rolled by, I recognise that these £2 per month Direct Debits were not a lot, and it would help my beneficiaries a little. The annual statement arrived last month – I could cash in my Life Insurance and have £1714 in my sticky little hand today and not leave it for others. I have paid Standard Life £1392 over the years – so a gain of £322! My brother did a simple ‘£24 at 3% compound interest over 57 years’ calculation and found it amounted to almost £4000. If I had known then what I know now ……..

Richard 4th April 2025

Rio de Janeiro

http://www.postcardscribbles.co.uk

Note 1 Make sense of this: “His art is frightening …. his work shows the extent to which even art has been compromised by the argument that the market is the most powerful thing.” Duncan MacMillan

Note 2 I wonder whether this salutation has had its day. Today it could easily be Editor which could apply to someone of any gender.

Note 3 Rule of thumb suggests 150% of salary. Wishful thinking!